Mike

I'm gonna take a couple shots here EdL, ok... Neil Young - Motor City Which I think you're thinking... My old car keeps breaking down My new car ain't from Japan There's already too many Datsuns In this town. Another thing that's bugging me Is this commercial on TV Says that Detroit can't make good cars any more. Motor City. Who's driving my car? Who's driving my car now? Who? My army jeep is still alive Got locking hubs and four wheel drive Ain't got no radio, ain't got no mag wheels Ain't got no digital clock Ain't got no clock. The paint job is lookin' blue The white walls are missing too But I guess until I get my car back This will do. Who's driving my car now? Who's driving my car now? Who? Who's driving my car now? OR... Maybe ... (another car song) Beach Boys - 409 She's real fine my 409 She's real fine my 409 My 409 Well I saved my pennies and I saved my dimes (Giddy up giddy up 409) For I knew there would be a time (Giddy up giddy up 409) When I would buy a brand new 409 (409, 409) Giddy up giddy up giddy up 409 (Giddy up giddy up 409) Giddy up 409 (Giddy up giddy up 409) Giddy up 409 (Giddy up giddy up 409) Giddy up 40... Nothing can catch her Nothing can touch my 409 409 ooooo (Giddy up giddy up oooo) (Giddy up giddy up oooo) (Giddy up giddy up oooo) (Giddy up giddy up) When I take her to the track she really shines (Giddy up giddy up 409) She always turns in the fastest times (Giddy up giddy up 409) My four speed dual quad posi-traction 409 (409, 409, 409, 409) Giddy up giddy up giddy up 409 (Giddy up giddy up 409) Giddy up 409 (Giddy up giddy up 409) Giddy up 409 (Giddy up giddy up 409) Giddy up 40... Nothing can catch her Nothing can touch my 409 (409 409 409 409) Giddy up 409 (409 409 409 409) Giddy up 409 (409 409 409 409) ???

John Lennon - How do you sleep? Beatles - What goes on? Supertramp - Lord is it mine Moody Blues - How is it (we are here) Liz Phair - Why can't I Led Zeppelin - What is & what should never be

Water's new songs -'To Kill The Child & Leaving Beirut' Give a little listen Nick Mason article

And after I've embezz...hehem...collected all the money I'll EVEN send you a thank you card forg...I mean signed by Carl and Sara. But REALLY thanks Carl and Sara!!!

?Joni Mitchell Her influence on music is legendary! A very nice link! Both sides now/Big yellow taxi ?Carole King Tapestry was a triumph! So far away/It's too late ?Carly Simon What can I say - WOW! Nobody does it better/You're so vain Talk about your power trio's! These three ladies have constibuted so much to the music world!! Let's talk about them... shall we?

She spit it out!

....and Rush now too

He who has nothing to die for has nothing to live for.

Ray Charles "Final Album"

Talk about a great depiction of the Christ!! The best film dealing with the life, eath and ressurection of the Lord with class, dignity and real down to earth understanding!! ...just my opinion of course...

One of my very favorites... - Cabo Wabo I?ve been to rome, dallas, texas Man, I thought I?d seen it all Around the world, search in every corner Man, I thought I?d hit the wall There?s a sleepy town, south of the border If you go there once, you?ll be there twice Lots of pretty girls, coming by the dozens The white sand sure makes a tan look nice We can crash on the beach You know I wanna make love in the sea We gotta try a little dance, so cabo wabo It?s alright by me Come on, let me take you down I will show you around Let me take you down Face down in cabo Kissing the ground Land?s end, you?d have to see it Ain?t no picture ever say it right Walkin? the streets doing that ole, the cabo wabo Place comes to life every night I wanna crash on the beach You know I wanna make love in the sea It?s all right there We don?t have to chase it Fits paradise to a t Come on, let me take you down I will show you around Let me take you down Face down in cabo Kissing the ground We drink mescal right from the bottle Salt shaker, little lick a lime, ohhh Throwin? down, down tryin? to reach the bottom Where the guave worm, well he?s mine all mine Come on, crash on the beach You know I wanna make love in the sea Go try a little dance, so cabo wabo It?s alright by me Let me take you down I will show you around Let me take you down Face down in cabo Kissing the ground Face down, Down in cabo Take me down, Down to cabo Face down, Down in cabo Doin? the cabo wabo Take me down, Down to cabo Come on, get it, get it Mike

If you believe in this sort of thing ... :: 1) The first indicator that everything is going right is the change from "Speak to Me" to "Breathe" which coincides exactly with the fade-in appearance of the name of producer Mervyn LeRoy. Note: In the prologue the word "Time" (one of the songs on the CD) is written with a capital letter even though it isn't at the start of the sentence. Also you will find the word "Heart" capitalized in the middle of a sentence (a sound particular to "The Dark Side of the Moon"). 2) "Leave, but don't leave me ..." Auntie Em appears to say "... Leave ..." to Dorothy and then Dorothy turns to leave looking a bit down in the mouth. 3) Right after the words "... Look around ..." Dorothy looks around. 4) "... Smiles you'll give and tears you'll cry ..." Two men above (Cowardly Lion and Tin Woodsman) are smiling and the man below (Scarecrow) is crying. This one is sort of not on time but worth the mention. 5) "... All you touch ..." Dorothy touches the man (Cowardly Lion) holding a bucket on his arm. Note: "All you touch and all you see is all your life will ever be" Dorothy's life will only really be all she touches and all she sees in her Kansas home because Oz exists only in her pretty little head. 6) "... When at last the work is done ..." the man (Scarecrow) hits his finger with the hammer (to the beat of the drum no less) and is done with his work. 7) Right after "... Dig that hole ..." the farm hand (Scarecrow) points to the ground as if telling Dorothy to dig a hole. 8) "... Balanced on the biggest wave ..." Dorothy is balancing herself on the fence. 9) "... Race towards an early grave." is said at the moment just before Dorothy falls off the fence rail. ["... Down in the pig-pen sayin' 'keep on diggin' ..." Lyrics from "Pigs (Three Different Ones)" by Roger Waters on the "Animals" CD] Note: "... Race towards an early grave ..." Perhaps a reference to Judy Garland's untimely death? Note: (E) Judy Garland died in 1969, the same year we put a man on the moon ... "I'll see you on the Dark Side of the Moon." 10) © Song shifts from "Breathe" to "On the Run" at the same time (actually just slightly before) Dorothy falls off the fence. Note: (D) At the moment Dorothy falls off the fence rail and the switch to "On the Run" occurs, the music in that song has an allure of danger as it matches to the mood of the scene and emotion of the other characters as they are concerned with Dorothy's well being and it matches the scene very well. 11) Auntie Em shows up and starts talking exactly at the same time as the woman's voice begins talking during "On the Run". I wonder if anyone knows just what the heck that female voice is saying on the album. It sort of sounds like the overhead voice in an airport to me. I also wonder what kind of cookies Auntie Em has on that plate? "I've got a clan of ginger-bread man. Here a man, there a man, lot's of ginger bread, man. Take a couple of you wish. They're on the dish ..." (Syd Barrett with Pink Floyd from "Bike") Note: (EE) The voice heard in the background of this portion is indeed someone in an airport (I don't know what the proper title of that person would be -- any help out there?) and can be heard giving flight information. This audio footage was apparently taken from stock reels in the Abbey Rd Studios which Roger rifled through and felt useful. More information on this and the entire creative process of the DSOTM album which started as a free-form jam and developed into the slick and fabulous album we all know and love. For a song-by-song description and more see the March 1998 special edition of the Biritish music magazine MOJO in which extensive interviews are given with band members as well as Alan Parsons for the 25th Anniversary of "The Dark Side of the Moon". I haven't read it myself but have a sneaky suspicion it may be the exact same interview I have on MP3. If I had the room I'd add that interview to this web page but the thing is 33MB! 12) © During the "On the Run" sequence as Dorothy is singing "Somewhere Over the Rainbow", the effects sound sort of like helicopters and airplanes are flying overhead & Dorothy's gaze seems to follow one across the screen. Note : "Somewhere Over the Rainbow", Well, we all know what is found on the infamous cover of DSOTM (a rainbow!) and here Dorothy is singing about one. Also there are a few fun little rhythm synchs during this piece such as Toto wagging his tail in time to the clicking sound effect and Dorothy pulling her head towards Toto's during another sound effect and swinging around to another, etc. And then the sort of rumbling sound at the end of the song that for some reason goes along with the sun piercing the clouds in the sky scene. It gives the feel of a passing thunderstorm. Note: (II) Just before Dorothy begins to sing "Somewhere Over the Rainbow" she is talking about a place where there is no trouble. She says ". . . You can't get there by boat or train, it's far, far away, BEHIND THE MOON . . . " and of course that would be the DARK side of the moon! 13) (AA) At the end of "On the Run" it looks like Toto is laughing at Dorothy. 14) The chimes in "Time" go off at the appearance of Mrs Gulch (Wicked Witch of the West) on the bicycle and the chimes stop when she gets off the bike. >>>> "I've got a bike. You can ride it if you like. It's got a basket, a bell that rings and things to make it look good ..." (Syd Barrett with Pink Floyd from "Bike") 15) At the first bass chord of "Time" the scene changes to inside Auntie Em's house -- really cool! 16) © Dorothy and the rest of the cast appear to move and react to the rhythm and mood in particular of the music. 17) "... You fritter and waste the hours in an off hand way ..." Seems to describe the kind of frittered away life that the old maid /witch, Mrs Gulch has if getting rid of poor little Toto is what it takes to make her day. 18) "Kicking around on a piece of ground in your home town", This is said just a little before Toto jumps out of the basket and onto the ground where he kicks off to go back to Dorothy in his hometown. So it's not exact but worth the mention. 19) "... Waiting for someone or something to show you the way ..." Toto pops up in the window (perhaps to show Dorothy the way?). 20) (Q) "... Tired of lying in the sunshine ..." as Toto is lying on the bed with the sun shining in on him wittle fuzzy body. 21) "... You are young and life is long ..." a reference to Dorothy's youth? 22) "... and there is time to kill today ..." There certainly is time to kill and Dorothy will be present at the death of not one but two people (witches). 23) "... Ten years have got behind you ..." You see Dorothy's back. (Hence, you are behind Dorothy). 24) "... No one told you when to run ..." Dorothy is running away from home. 25) Guitar solo in "Time" begins as scene changes (It's so cool when that happens). 26) During the guitar solo of "Time" the words "Past, Present and Future" are seen on the sign of Professor Marvel. 27) (D) "And you run and you run to catch up with the sun but it's sinking; Racing around to come up behind you again!" First think about this: "Time is a predator which stalks us all our lives." --Star Trek: Generations . . . Now take a look above the door mantle as Dorothy enters Professor Marvel's wagon. What do we see but a skull . . . a reminder of time and the shortness thereof indeed. Kinda funky eh? 28) (X)+(BB)"... to come up behind you again ..." as Professor Marvel is coming up behind Dorothy. 29) "... But you're older ..." referring to Professor Marvel's old age? 30) "... Or half a page of scribbled lines ..." referring to perhaps the photo that Professor Marvel sneaks out of Dorothy's basket? Ok so it's not scribbled lines, but it's a page. 31) "... Hanging on in quiet desperation ..." as Dorothy quietly and desperately listens to the words of Professor Marvel. 32) "... Home, home again ..." as Professor Marvel tells Dorothy that she needs to go back home. 33) (G) "... Hear the softly spoken magic spell ..." as Dorothy is leaving the "magic" wagon of Professor Marvel. 34) Song changes to "The Great Gig In the Sky" the moment Dorothy reaches down and grabs her bag. This is probably my favourite scene in the whole synch. 35) (voice says) "... And I am not frightened of dying ..." as the tornado heads towards a house. Note: (U) At the scene of the tornado there is a sound (slide guitar) strangely reminiscent of the old air raid sirens during wartime -- perhaps warning of impending doom via twister (and we ain't talking about a Milton-Bradley? game either)? 36) The drums kick in as a tree is uprooted by the winds of the tornado. Note : Right after the tree is uprooted, the singer begins her operatic style wailing which keeps time with the mood and intensity of the tornado scene. Nifty rhythm synchs are seen during this piece such as the door flying off its hinges and the piece of furniture or appliance falling over on the porch as Dorothy enters the house, etc. 37) After Dorothy gets bonked on the head with the window the singer calms down and Dorothy begins dreaming. Note: The song playing during the entire tornado scene and especially while the house is up in the air via the tornado is "The Great Gig in the Sky". Get it? 38) The "cha-ching !" of "Money" is heard as Dorothy steps out into colourful, and wealthy looking Muchkin Land. Note : "Money" would be associated with colour and better living as is apparent to Dorothy. Note: (K) The Wizard of Oz was the first full length colour film released in the U.S. and maybe in the world for that matter. Of course this movie did make a lot of Money. 39) (V) "New car, caviar, four star daydream; I think I'll buy me a football team" Now granted that what an Englishman like Roger would call "football" is what we in the States call "soccer" but bear with me a second and notice that the yellow brick road bears a striking resemblamce to the spiraling helmet symbol of the Ram's (Los Angeles, Anaheim or St Louis depending on what time you are in). 40) (A) "Don't give me that do-goody-good bull§#Î?." as Glinda the (do-goody) good witch (?!) comes a-floating like an angel in her big bubble. Roger always has to throw in a worty dird on each album now doesn't he? 41) "... I think I need a Lear Jet ..." as Glinda appears from the bubble. Maybe she'd prefer a jet over traveling in a bubble? "Big Bubbles . . . No Troubles." (Hubba-Bubba? Bubblegum) Note : (H) The way Glinda is holding her wand it looks like she's playing electric air guitar during Dave's solo. (Just for a second ... sort of) Note: During the guitar solo of "Money" the Munchkins appear to move somewhat to the music. When the solo is sort of "plucky" they move a bit trepidly and then after the Munchkin with the tall, grey hat jumps out the solo goes wild again and all the Munchkins start dancing away. The soldiers also appear to march in time with the music. 42) (CC) "... Share it, fairly ..." As one of the Munchkins shares some flowers with Dorothy. 43) During the beginning of "Us and Them" it sounds like funeral parlour music and the Munchkin Coroner shows the Certificate of Death. Note : (N) A little before the Munchkin Coroner comes up some officials come out of one of the buildings and are talking back and forth about their new arrival and in the background you can hear a man say "... I was really drunk at the time ..." which could be a reference to the drunken and carousing little people who played the Munhkins. Then you can hear a woman say "... He was cruisin' for a bruisin'..." which according to rumor Judy Garland said the little actors got drunk and at leat one tried to hit on her. So the latter voice could be considered as Dorothy sayng that particular Munchkin was "Cruisin' for a bruisin' ". Check info at: http://www.autographics.com/oz.html on legends and myths & http://www.geocities.com/Hollywood/Hills/9151/oztrivia.html 44) (DD) At the beginning of "Us and Them" voices of assorted people talking can be heard and at times it appears that the Munchkin officials are the ones doing the talking. 45) During "Us and Them" the ballerinas from the Lullabye League enter to "Us ... Us .... Us ...". Note: (F) Just think about this for a sec ; "Us, and them . . . And after all we're only ordinary men. Me, and you . . . God only knows it's not what we would choose to do." Perhaps the little people actors playing the roles of the Munchkins prefer NOT being exploited for their stature by the folks at MGM i.e. it's not the kind of thing they would prefer to do. After all they are only ordinary men. Well, they're not really ordinary now are they? Realistically speaking though they could be glad since there aren't that many movie roles for little people -- so the money's nice when it's rollin' eh? 46) (S) "Forward he cried ..." It looks like the Munchkins all shout "Forward!" to Dorothy. 47) ® "... and the lines on the map moved from side to side ..." as the munchkins move to two separate sides at the appearance of the Wicked Witch. 48) "Black and blue ..." as it shows the witch who is wearing black , and "blue" when it shows Dorothy who is wearing blue. 49) "... And who knows which is which ..." (Witch is Witch ... or ... Which is Witch)? 50) "... Up and Down ..." as the dead wicked witch's feet go down under Dorothy's house. 51) (D) "Haven't you heard? It's a battle of words ..." as Glinda is whispering in Dorothy's ear and then returns to her battle of words with the Wicked Witch. 52) "... And in the end it's only 'round and 'round..." As Glinda points to Dorothy's feet which are now turning 'round. 53) (W) Then it says "... and 'round ..." as there is yet another shot of the ruby slippers. 54) (X) "... said the man with the gun ..." as the Wicked Witch points her long finger at Dorothy in the shape of a gun! 55) "Down and out ... " as Glinda leaves in her bubble (she's out of here). 56) (L) "... But there's a lot of it about ..." Oyvey! There certainly seems to be a lot of coming and going in the Land of Oz with the house and the Wicked Witch going under the house and the other Wicked Witch coming and going and the good witch coming and gong . 57) (LL) "...With ... Without ..." Dorothy starts on the Yellow Brick Road with Toto in her arms and then puts him down and he is walking beside her but without her. And afterall at least twice in the film Toto is what the fighting's all about. 58) (J)"... Get out of the way, it's a busy day, I've got things on my mind ..." as Dorothy passes through the Munhkins and leaves Munckin Land. 59) Scene changes at the same time that "Us and Them" changes to "Any Colour You Like" 60) "... The lunatic is on the grass ..." The Scarecrow isn't on the grass but he is made of grass and he is certainly dancing around like a lunatic. Note: ( A) The song Brain Damage is playing as the Scarecrow is singing If I Only Had a Brain. Note: Check out these lyrics from "The Scarecrow" by Syd Barrett with The Pink Floyd on their album The Piper at the Gates of Dawn, " The black and green scarecrow as everyone knows, Stood with a bird on his hat and straw everywhere. He didn't care. He stood in a field where barley grows. His head did no thinking, His arms didn't move except when the wind cut up rough and mice ran around on the ground. He stood in a field where barley grows." Notice what colour Scarecrow is in the movie? 61) (M) "... Got to keep the loonies on the path ..." Dorothy and Scarecrow are the "loonies" on the Yellow Brick Road (path). 62) "... You raise the blade ..." as the Toucan in the tree raises his bill which resembles the blade of a knife. 63) (I) "... There's someone in my head but it's not me ..." The Appletrees have someone inside who makes them move around and look alive. 64) "... Thunder in your ear ..." as the Appletrees are thundering in Dorothy's ear for snatching an apple. Note: (KK) If you happen to have the "Closed Caption" function, while watching the video, during the synch when the words "... You shout and no one seems to hear ..." are sung the caption reads "Did you say something?" (This one I cannot verify but must take on faith since I don't have the "CC" function. So if anyone disagrees you will have to let me know). 65) "... And everyone you meet..." As Dorothy meets yet another interesting character in this Land of Oz, the Tin Woodsman. 66) (CC) "... all that you touch and all that you see ..." Once again Dorothy is holding a man's arm at the word "touch" as it was at the beginning of the movie (see #5) but then she and Scarecrow look up to "see" the oil can which is something that Tinman would like a "taste" of in order to "feel" better. 67) Dorothy listens for a heartbeat (or lack of one) in the Tin Woodsman's chest as the heartbeat goes on to the end of the album.

Coven first recorded One Tin Soldier (The Legend of Billy Jack) - 1971 -- The first release came out in 1971, along with the film. Then, ?One Tin Soldier (The Legend of Billy Jack)?made the Top 30. A newly recorded version in mid-1973 also charted, as it a late-'73 reissue of the '71 original. Coven had no other chart hits, whether singles or albums.

...You'd think that people would have had enough of silly love longs but I look around me and I see it isn't so Some people wanna fill the world with silly love songs And what's wrong with that ? I'd like to know 'cause here I go again. ..... Penned of course by none other than Sir Paul McCartney This was Pauls response to Johns criticizations of Pauls wispy songs, accusing him of not being able to "rock if he tried." Paul once commented that - "The fact is, deep down, people are very sentimental," he said. "If they watch a sentimental movie at home, they cry, but in public they won't. We don't like to show our emotions; we tend to sneer at that. And in the same way, people may not admit to liking love songs, but that's what they seem to crave." I love to ROCK-OUT!! But I also like to hear some soft songs too. What Kiss fan doesn't love Beth, I'm not a huge kiss fan myself, but I love Beth ever since the first time I heard it. I am glad the world is filled with Silly Love Songs.

My vote goes to Jon Anderson! Heart of the sunrise sealed the deal for me!!

Rush - Vapor Trail Stratospheric traces of our transitory flight Trails of condensation held in narrow paths of white The sun is turning black The world is turning gray All the stars fade from the night The oceans drain away Horizon to Horizon memory written on the wind Fading away, like an hourglass, grain by grain Swept away like voices in a hurricane In a vapor trail Atmospheric phases make the transitory last Vaporize the memories that freeze the fading past Silence all the songbirds Stilled by the killing frost Forests burn to ashes Everything is lost Washed away like footprints in the rain In a vapor trail

Rush - Take a friend Carole King - You've got a friend Randy Newman - You've got a friend in me Elton John - Daniel

I still got the Vinyl, the Cassette and obtained the 25th anny CD in '98. For Dark Side's two predecessors, Hipgnosis had presented a cow (Atom Heart Mother) and an over-sized human ear (Meddle). The new works' cover would be similarly prosaic: a diagram of light passing through a prism that could have been borrowed from any physics textbook. But the technically simple cover cleverly offered clues and signs to the spirit of the music within. Cast on a jet black background, the design also a triumph of understatement: enigmatic, minimalist and as cooly hip as the band themselves. Technically, the cover is a 'mechanical tint lay'. There was no original painting; just a black-and-white diagram with instructions to the printer about colours. The packaging celebrates the band's cult of anonymity. You only reach the name Pink Floyd when you open the gatefold, where the band have a credit as producers. The title of the album appears only on the label. Small wonder that EMI slapped a sticker on the front to flag up to the unwary that this was the Floyd's latest. Storm Thorgerson of Hipgnosis recalls: " I'd had various conversations with the band about what they wanted on the sleeve. Roger explained the intellectual thrust of the music, the theme of madness - the the madness of rock'n'roll and madness in general". But the main impetus for the eventual design was some blunt advice from Rick Wright. "He basically said, 'Let's have no [bleep] pictures this time, I'm bored with pictures'. I was quite taken aback because he was so definite about it. But he said, 'We want something smarter, neater, more classy'." Thorgerson duly reworked a prism and light design that had been offered to Charisma for a new label, Clearlight, but never used. This was submitted to the band by him and his partner Aubrey 'Po' Powell with five other ideas. Today Thorgerson cannot recollect these, save for one featuring a giant wave and a figure based on the Silver Surfer comin book superhero. But the decision-making process in a side room at Abbey Road was swift and unanimous. "They took all of about three minutes. They flicked through them, then when it came to the prism they just looked at each other, said, 'That's the one. Right we're going back to work now.' Then they went back to the studio." "I was trying to say, Hang on a bit. I thought they were being hasty, because I was keen for them to appreciatte all the hard work that we, as freelancers, had done. I was wanging on but Po, who always had more business sense, realised they were delighted, that we had the gig and that was all that mattered." Thorgerson's prism proved a resonant symbol. "It represented both the diversity and cleanliness of the sound of the music," he says. "In a more conscious way, it worked for a band with a reputation for their light show. The triangle is a symbol for ambition, one of the themes Roger was concerned with. So you had several ideas coming together. It was Roger's idea to turn the light into a heartbeat inside the sleeve, the sound that starts the music." Thorgerson designed the front and back sleeves so that the entry and exit beams could be joined up to form a huge shop window display: "It wasn't really a promotional decision, just my egocentric idea - not that anybody ever did it." The design work was straightforward, so Thorgerson delegated it to George Hardie, the new boy in the studio (now Britain's first professor of graphics). Hardie also created the two postcard stickers included with the album, plus the pink-hued poster of the band (great on the wall if you could get your mum to iron out the creases). A second poster of the Great Pyramid, shot by Thorgerson on infra- red film, was also included. Today he regrets that a black-and- white time exposure taken at night was not used. Thorgerson, girlfriend and baby son and Po flew to Egypt for the shoot. But all save Thorgerson got food-poisoning, so he worked solo. Thorgerson and Powell were paid L600 each for their efforts. But for all Hipgnosis' conceptual care, some printers were lackadaisical. In the Soviet Union the album came out with the sleeve printed upside down and back to front. Thorgerson remains proud of his most famous creation. "It may not have been interesting or challenging as a piece of work but it is interesting as an appropriate piece of artwork for the record. It's either a brilliant piece of art direction or perhaps just a jammy idea - that's for others to judge - but it worked really well in its content."

Drive up in Geo Metro with the blankets in the backseat and gallon of wild turkey and a video camera on the passenger seat with the song Girls, Girls, Girls (Motley Crew) blaring on the stereo (so loud that the distortion make it impossible to tell what song it really is)! Then comment on how loose the close she is wearing makes her look and give her a BIG THUMBS UP for her fashion skills! Tell her your watch stopped an hour ago and your gas guage hasn't worked in days! Start every conversation with "I've always wanted to have a big family and I never want to have to hold down a FULLTIME job unless it's absolutely necessary!! Good Luck! Mike

Hi Nicole, Check out this site >> Dennis sings lead! -mike

Now MC, I've not seen Terminal (won't until DVD) but I LOVE Cast Away (while many others though it was, well, uhmmm :sleepy:. So do you think I would like Terminal?

The story

Pink Floyd Speak to me- I've been mad for f-ing years, absolutely years, been over the edge for yonks, been working me buns off for bands..." "I've always been mad, I know I've been mad, like the most of us...very hard to explain why you're mad, even if you're not mad..." Aaaaahhhh, Aaaaaahhhhh -(sound of foot steps) .... Ease into Breathe - Best opening to any album, anywhere, EVER!!

A couple of my favorites would be .. ?My Sharona - The Knack ?Escape (The Piña Colada Song) - Rupert Holmes

From what I've seen already I might have to go see this this weekend! The music really seems to add a great deal to this film, like Jaws. Some early reviews are very good. Could this be the "Jaws 2" we've been waiting for but never received?