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Let The Cold Wind Blow - Kate Rusby


tally123

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hi,

I hope that i'm writing in the right forum- does anybody know what's the meaning of this song?

thank you!

Lyrics to Let The Cold Wind Blow :

Oh dear me what do mine eyes see

James Renald and my love sat under yon tree

My heart it bleeds

For she loves him indeed

Sing hi lo lay at the end of the day

Sing hi lo lay at the end of the day

Here I stand empty heart, empty hand

While he has my true love and he has my land

My heart is sore

For she loves me no more

Sing hi lo lay at the end of the day

Sing hi lo lay at the end of the day

No more she’ll fly, no more she’ll cry

All over the cold earth beneath which I lie

My heart it grieves

For my side she must leave

Sing hi lo lay at the end of the day

Sing hi lo lay at the end of the day

Let the cold wind blow, let the years come and go

I’ll wait for my true love though she’ll never know

I wish them no rest

Like the heart in my breast

Sing hi lo lay at the end of the day

Sing hi lo lay at the end of the day

I wish them no rest

Like the heart in my breast

Sing hi lo lay at the end of the day

Sing hi lo lay at the end of the day

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well, a woman sings it - so do you think that she's gay or that she sings it from a man's point of view?

besides, pay attention to those words:

"No more she’ll fly, no more she’ll cry

All over the cold earth beneath which I lie

My heart it grieves

For my side she must leave"

I think that maybe the person who talks is dead. what do you think?

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Yes, I also thought that, but it might as well be a metaphor...

Besides, there's many women singing songs about other women just because the lyrics are like that... or maybe not?

here's a link about the album with little or no info at all... http://www.allmusic.com/album/r533272

and some wiki-info about her: http://en.wikipedia.org/wiki/Kate_Rusby

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tally123... I bet you know babyteen.

Here's a portion of a song review I found just by googling.

"Botany Bay and Let the Cold Wind Blow are eclectic takes on irreversible separation.

The first involves the 18th century British practice of sending convicts halfway around the world to Australia—with the overwhelming prospect of the deportees never again seeing their families.

The second takes the point of view of a despairing ghost who doesn’t like to watch—in this case, his love who has taken up with another man, who has inherited the deceased’s land to boot. Mahler couldn’t have done a better job of driving eternity between a man and his beloved."

source

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