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JumboXL

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Posts posted by JumboXL

  1. I once met a brunette with brown eyes and a great big smile. I managed to get invited to her room, where she played me her favourite music. "I love the saxophone on this one", she explained as the violins opened "Jungleland". So we listened to the saxophone, staring at the picture of The Boss leaning on The Big Man. And we listened again; and again.

    This was the beginning of a happy story. We saw Clarence playing the solo in Rotterdam, 1992 I think, and we shivered.

    The happy story has a sad chapter now. Our son mourns as well.

    We'll always remember Clarence Clemmons.

  2. If you want to write a real big hit, what are elements to be taken into account to ensure success? What are basic elements of a big hit song?

    I have read these:

    - A song with a two-four time tempo, like "Gloria", by Them, or "YMCA", the hit of The Village People, will stick in the ears of people when they're walking.

    - The song is about either "Radio" or "DJ", like "Radio Gaga" by Queen, and Harry Chapin's "Morning DJ at W.O.L.D.". Guarantee for radio playtime by uninspired music programmers.

    Other ingredients for a real Numero Uno?

  3.  

    Elvis did sing some German lines.

     

    Can't you see

    I love you

    Please don't break my heart in two

    That's not hard to do

    'cause I don't have a wooden heart

    And if you say goodbye

    Then I know that I would cry

    Maybe I would die

    'cause I don't have a wooden heart

    There's no strings upon this love of mine

    It was always you from the start

    Treat me nice

    Treat me good

    Treat me like you really should

    'cause I'm not made of wood

    And I don't have a wooden heart

     

    Muss I denn, muss I denn

    Zum Staedt'le hinaus

    Staedt'le hinaus

    Und du, mein Schatz, bleibst hier?

     

    There's no strings upon this love of mine

    It was always you from the start

    Sei mir gut

    Sei mir gut

    Sei mir wie du wirklich sollst

    Wie du wirklich sollst

    Cause I don't have a wooden heart

  4. Best of all: Dickey Betts in Jessica. From 3:50 in http://www.youtube.com/watch?v=Oidm5Zfw_SA.

    Mick Taylor on Midnight Rambler, bootleg Rolling Stones - Live 1973 - Brussels Affair, duelling with Keith. http://www.youtube.com/watch?v=-Vaw4tI5Nro.

    Ritchie Blackmore in Deep Purple's Flight of the Rat:

    from 4:00 on http://www.youtube.com/watch?v=XxNYOcNnmGI.

    Jimmy Page in Dazed and Confused: from 3:30 on http://www.youtube.com/watch?v=auDv6cf2PBM.

    Much of Rory Gallagher, e.g. Million Miles Away, and Last of the Independents.

    Other personal favourites of mine: Danny Lademacher, playing with Herman Brood and His Wild Romance, in Sleeping Bird, from 2:26 on http://www.youtube.com/watch?v=2DcHHnlp_UY. (Studio track is much better).

    And Chris Spedding, in Brian Ferry's In Your Mind: from 2:00 in http://www.youtube.com/watch?v=p7zxgTlBxc8. The simplicity of it....

  5. Rock bands do (did) not always operate in harmony.

    Dave Davies of The Kinks and drummer Mick Avory had a fist fight on stage in front of 5,000 people.

    He also was (is) not in harmony with his brother Ray.

    Another brother fight is known from Oasis.

    The Eagles seem to have had a lot of personal controversions, even today, on stage.

    One of The Ramones members (sort of) stole the girlfriend of another Ramone.

    Tell me mo' 'bout disharmony in rockbands......

  6. I was struck by the delicate sound of the band No Blues, this weekend.

    This band operates on the crossroads of American folk blues and Arabic music. This music, which the musicians called Arabicana, became a succesfull genre and No Blues is now an established name in the world music scene.

    http://www.myspace.com/nobluesnl

  7. He sued his producer, Frank Farian, claiming more income of the more than 100 million singles sold by Boney M.

    Mr. Farian replied by reveiling that he never ever had sung a note on a Boney M- record.

    Bobby was merely a spectacular disco dancer, so it seems.

    This is a commercial that he did for a Dutch insurance company, in 2006:

    The dutch talking guy is promising lots of money, while Bobby is working his ass off, and not taking care of a pension.

  8. The nicest ending in pop history is in the Bonzo Dog Doo Dah Band´s hilarious Jazz, Deliciously Hot, Disgustingly Cold.

    Second place is for the Rolling Stones, in Mother´s little helper.

    Nicest intro of all times: U2 in Where the streets have no name.

    Second place is for the Rolling Stones´ Paint it, black.

  9. There are songtitles that make you want to find out what the song is about.

    "Walk, don't run" made me want to know what the song was about. Ahhm, it was an instrumental. An up-tempo instrumental, perfectly suited for jogging.

    "Smells like teen spirit": just reading the name of the song made me want to hear it, curious for the answer to the question what smells like teen spirit. No answer.

    "Paint it black" drew my attention, a long time ago, I wanted to know why, when and what stuff should be painted black.

    Any other suggestions for songtitles that immediately attract(ed) your attention and make (made) you want to listen to the song?

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