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"I don't want to go to Chelsea"


moimeme

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Does anyone have a clue about what Elvis Costello meant by it? To begin with, what does Chelsea stand for (I know it's a neighborhood in London, but other than that)?

Photographs of fancy tricks to get your kicks at sixty-six

He thinks of all the lips that he licks

And all the girls that he's going to fix

She gave a little flirt, gave herself a little cuddle

But there's no place here for the mini-skirt waddle

Capital punishment, she's last year's model

They call her Natasha when she looks like Elsie

I don't want to go to Chelsea

Oh no it does not move me

Even though I've seen the movie

I don't want to check your pulse

I don't want nobody else

I don't want to go to Chelsea

Everybody's got new orders

Be a nice girl and kiss the warders

Now the teacher is away

All the kids begin to play

Men come screaming, dressed in white coats

Shake you very gently by the throat

One's named Gus, one's named Alfie

I don't want to go to Chelsea

Oh no it does not move me

Even though I've seen the movie

I don't want to check your pulse

I don't want nobody else

I don't want to go to Chelsea

Photographs of fancy tricks to get your kicks at sixty-six

He thinks of all the lips that he licks

And all the girls that he's going to fix

She gave a little flirt, gave herself a little cuddle

But there's no place here for the mini-skirt waddle

Capital punishment, she's last year's model

They call her Natasha when she looks like Elsie

I don't want to go to Chelsea

Oh no it does not move me

Even though I've seen the movie

I don't want to check your pulse

I don't want nobody else

I don't want to go to Chelsea

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If it's any help: Chelsea is a part of London which is associated with excessive wealth, decadence, pretentiousness and artifice. It also accommodates the King's Road, whose boutiques were a hangout for the "trendy London youth", from the mods of the 60s through to the punks of the 70s. It may be that Costello is using Chelsea as a symbol for shallow, narcissistic superficiality, suggesting that he prefers the society of the "real" and down-to-earth to that of the "up-themselves" elite.

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